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Welcome to my media blog! I'm Andrea Walker and I'm currently studying media, art and drama for my A Levels. I've got a very creative nature as you can tell from my subject choices. I really hope you enjoy looking through my blog, and seeing all my hard work especialy our music video which we are very proud of!

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Friday 18 November 2011



Stuart Hall's Theory (Research)
Stuart Hall (born 3 February 1932, Kingston, Jamaica, then a British colony) is a cultural theorist and sociologist who has lived and worked in the United Kingdom since 1951. Hall's work covers issues of hegemony and cultural studies, taking a post-Gramscian stance. He regards language-use as operating within a framework of power, institutions and politics/economics. This view presents people as producers and consumers of culture at the same time. (Hegemony, in Gramscian theory, refers to the cultural production of 'consent' as opposed to 'coercion'.)
For Hall, culture is not something to simply appreciate or study, but a "critical site of social action and intervention, where power relations are both established and potentially unsettled."
Hall has become one of the main proponents of reception theory, and developed Hall's Theory of encoding and decoding. This approach to textual analysis focuses on the scope for negotiation and opposition on part of the audience. This means that the audience does not simply passively accept a text — social control. Crime statistics, in Hall's view, are often manipulated for political and economic purposes. Moral panics (e.g. over mugging) could thereby be ignited in order to create public support for the need to "police the crisis." The media play a central role in the "social production of news" in order to reap the rewards of lurid crime stories.
His works — such as studies showing the link between racial prejudice and media — have a reputation as influential, and serve as important foundational texts for contemporary cultural studies.
Hall has also widely discussed notions of cultural identity, race and ethnicity, particularly in the creation of the politics of Black diasporic identities. Hall believes identity to be affected by history and culture, rather than a finished product, he sees it as ongoing production.



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